{"id":42878,"date":"2026-05-11T10:36:30","date_gmt":"2026-05-11T10:36:30","guid":{"rendered":"https:\/\/galeriehugodufon.com\/?page_id=42878"},"modified":"2026-05-11T13:21:51","modified_gmt":"2026-05-11T13:21:51","slug":"felipe-barreiro","status":"publish","type":"page","link":"https:\/\/galeriehugodufon.com\/fr\/felipe-barreiro\/","title":{"rendered":"Felipe Barreiro"},"content":{"rendered":"
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Felipe Barreiro\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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lives and works in Bogot\u00e0<\/p>

b. 1998, Colombia<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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biography<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Felipe Barreiro Carvajal d\u00e9veloppe une pratique situ\u00e9e \u00e0 la crois\u00e9e du dessin et de la peinture, o\u00f9 l\u2019image op\u00e8re comme un espace de tension entre exp\u00e9rience intime et structures collectives. Son travail explore de mani\u00e8re r\u00e9currente les formes du conflit humain, la relation \u00e0 la nature, la violence sociale et la conscience de la mort, \u00e0 travers un vocabulaire visuel dense, \u00e0 la fois figuratif et symbolique.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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> read full biography <\/div><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Form\u00e9 \u00e0 la Universidad Nacional de Colombia \u00e0 Bogot\u00e1, Barreiro con\u00e7oit le dessin comme un exercice continu, presque obsessionnel. Sa pratique se nourrit d\u2019un flux ininterrompu d\u2019images, fragments cin\u00e9matographiques, sc\u00e8nes nocturnes observ\u00e9es depuis son environnement imm\u00e9diat, paysages mentaux et motifs issus du quotidien, qu\u2019il capte, ralentit et transforme. Le dessin n\u2019y appara\u00eet jamais comme un geste isol\u00e9 mais comme un processus en constante mutation. Travaillant principalement au pastel gras et au crayon de couleur, il construit ses images par strates successives, corrige, efface et r\u00e9intervient.<\/p>

Cette \u00e9conomie du geste rend perceptible le temps du dessin, ses h\u00e9sitations, ses reprises, ses insistances, et inscrit chaque \u0153uvre dans une dynamique ouverte, davantage li\u00e9e \u00e0 la recherche qu\u2019\u00e0 la fixation d\u2019une forme d\u00e9finitive. Son univers iconographique est travers\u00e9 par des tensions permanentes. Figures humaines, animales ou spectrales \u00e9voluent dans des espaces instables, entre pesanteur et suspension, entre apparition et disparition. Boxeurs, volcans, corps flottants ou cercueils composent un vocabulaire \u00e0 la fois intime et symbolique, o\u00f9 coexistent violence et douceur, mat\u00e9rialit\u00e9 et mysticisme.<\/p>

L\u2019image devient ainsi un lieu d\u2019ambivalence, une surface o\u00f9 des forces oppos\u00e9es se maintiennent sans jamais se r\u00e9soudre. Cette ambivalence constitue le c\u0153ur de sa pratique. Le dessin y op\u00e8re comme un outil de pens\u00e9e, un espace o\u00f9 la vision se construit dans la dur\u00e9e, o\u00f9 l\u2019image extraite du flux, notamment cin\u00e9matographique, est suspendue et reconfigur\u00e9e. Face \u00e0 la vitesse des images en mouvement, Barreiro propose une temporalit\u00e9 ralentie, invitant le regard \u00e0 parcourir, recomposer et habiter la sc\u00e8ne.<\/p>

Depuis le d\u00e9but des ann\u00e9es 2010, son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans de nombreuses expositions personnelles et collectives en Colombie et \u00e0 l\u2019international. Il a notamment expos\u00e9 \u00e0 Bogot\u00e1, \u00e0 SGR Galer\u00eda, Galer\u00eda 12:00 et Desborde Galer\u00eda, ainsi qu\u2019\u00e0 Caracas, \u00e0 Hacienda Trinidad, et \u00e0 Cali, \u00e0 Lugar a Dudas. Plus r\u00e9cemment, il a pr\u00e9sent\u00e9 l\u2019exposition personnelle Ambivalente \u00e0 Casa Hoffmann \u00e0 Bogot\u00e1 en 2025, et particip\u00e9 \u00e0 l\u2019exposition Puro horizonte alrededor \u00e0 Policroma \u00e0 Medell\u00edn en 2026, affirmant sa pr\u00e9sence au sein d\u2019une sc\u00e8ne contemporaine colombienne en pleine \u00e9volution. Son travail a \u00e9t\u00e9 montr\u00e9 dans des contextes institutionnels et ind\u00e9pendants, notamment dans le cadre du Sal\u00f3n de Arte Joven Colsanitas \u00e0 la Galer\u00eda Nueveochenta et d\u2019Artec\u00e1mara \u00e0 ARTBO.<\/p>

Il a \u00e9galement b\u00e9n\u00e9fici\u00e9 de r\u00e9sidences telles que Lugar a Dudas \u00e0 Cali et El Avispero \u00e0 Caracas. Son \u0153uvre fait partie des collections de la Fundaci\u00f3n Gilberto Alzate Avenda\u00f1o et du Museo de Arte Contempor\u00e1neo de Bogot\u00e1.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

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selected artworks<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Aucun profil d\u00e9tect\u00e9.<\/p><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Felipe Barreiro lives and works in Bogot\u00e0 b. 1998, Colombia biography Felipe Barreiro Carvajal develops a practice situated at the intersection of drawing and painting, where the image operates as a space of tension between intimate experience and collective structures. His work recurrently explores forms of human conflict, the relationship to nature, social violence, and…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-42878","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nFelipe Barreiro - GALERIE HUGO DUFON<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriehugodufon.com\/fr\/felipe-barreiro\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Felipe Barreiro - GALERIE HUGO DUFON\" \/>\n<meta property=\"og:description\" content=\"Felipe Barreiro lives and works in Bogot\u00e0 b. 1998, Colombia biography Felipe Barreiro Carvajal develops a practice situated at the intersection of drawing and painting, where the image operates as a space of tension between intimate experience and collective structures. 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