{"id":42878,"date":"2026-05-11T10:36:30","date_gmt":"2026-05-11T10:36:30","guid":{"rendered":"https:\/\/galeriehugodufon.com\/?page_id=42878"},"modified":"2026-05-11T13:21:51","modified_gmt":"2026-05-11T13:21:51","slug":"felipe-barreiro","status":"publish","type":"page","link":"https:\/\/galeriehugodufon.com\/es\/felipe-barreiro\/","title":{"rendered":"Felipe Barreiro"},"content":{"rendered":"
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Felipe Barreiro\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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lives and works in Bogot\u00e0<\/p>

b. 1998, Colombia<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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biography<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Felipe Barreiro Carvajal desarrolla una pr\u00e1ctica situada en la intersecci\u00f3n entre el dibujo y la pintura, donde la imagen opera como un espacio de tensi\u00f3n entre la experiencia \u00edntima y las estructuras colectivas. Su trabajo explora de manera recurrente las formas del conflicto humano, la relaci\u00f3n con la naturaleza, la violencia social y la conciencia de la muerte, a trav\u00e9s de un vocabulario visual denso, a la vez figurativo y simb\u00f3lico.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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> read full biography <\/div><\/span>\n\t\t\t\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Formado en la Universidad Nacional de Colombia en Bogot\u00e1, Barreiro concibe el dibujo como un ejercicio continuo, casi obsesivo. Su pr\u00e1ctica se nutre de un flujo ininterrumpido de im\u00e1genes, fragmentos cinematogr\u00e1ficos, escenas nocturnas observadas desde su entorno inmediato, paisajes mentales y motivos tomados de lo cotidiano, que captura, ralentiza y transforma. El dibujo no aparece nunca como un gesto aislado, sino como un proceso en constante mutaci\u00f3n. Trabajando principalmente con pastel graso y l\u00e1piz de color, construye sus im\u00e1genes por capas sucesivas, corrige, borra y vuelve a intervenir.<\/p>

Esta econom\u00eda del gesto hace visible el tiempo del dibujo, sus dudas, sus repeticiones y sus insistencias, e inscribe cada obra en una din\u00e1mica abierta, m\u00e1s cercana a la b\u00fasqueda que a la fijaci\u00f3n de una forma definitiva. Su universo iconogr\u00e1fico est\u00e1 atravesado por tensiones permanentes. Figuras humanas, animales o espectrales habitan espacios inestables, entre gravedad y suspensi\u00f3n, entre aparici\u00f3n y desaparici\u00f3n. Boxeadores, volcanes, cuerpos flotantes o ata\u00fades conforman un vocabulario a la vez \u00edntimo y simb\u00f3lico, donde coexisten violencia y ternura, materialidad y misticismo.<\/p>

La imagen se convierte as\u00ed en un lugar de ambivalencia, una superficie donde fuerzas opuestas conviven sin resolverse. Esta ambivalencia constituye el n\u00facleo de su pr\u00e1ctica. El dibujo opera como una herramienta de pensamiento, un espacio donde la mirada se construye en el tiempo, donde la imagen extra\u00edda del flujo, particularmente cinematogr\u00e1fico, se suspende y se reconfigura. Frente a la velocidad de las im\u00e1genes en movimiento, Barreiro propone una temporalidad ralentizada, invitando al espectador a recorrer, recomponer y habitar la escena.<\/p>

Desde comienzos de la d\u00e9cada de 2010, su trabajo ha sido presentado en numerosas exposiciones individuales y colectivas en Colombia y a nivel internacional. Ha expuesto principalmente en Bogot\u00e1, en SGR Galer\u00eda, Galer\u00eda 12:00 y Desborde Galer\u00eda, as\u00ed como en Caracas, en Hacienda Trinidad, y en Cali, en Lugar a Dudas. M\u00e1s recientemente, present\u00f3 la exposici\u00f3n individual Ambivalente en Casa Hoffmann, Bogot\u00e1, en 2025, y particip\u00f3 en la exposici\u00f3n Puro horizonte alrededor en Policroma, Medell\u00edn, en 2026, afirmando su presencia en una escena contempor\u00e1nea colombiana en plena transformaci\u00f3n. Su trabajo ha sido mostrado en contextos institucionales e independientes, entre ellos el Sal\u00f3n de Arte Joven Colsanitas en Galer\u00eda Nueveochenta y Artec\u00e1mara en ARTBO.<\/p>

Tambi\u00e9n ha participado en residencias como Lugar a Dudas en Cali y El Avispero en Caracas. Su obra forma parte de las colecciones de la Fundaci\u00f3n Gilberto Alzate Avenda\u00f1o y del Museo de Arte Contempor\u00e1neo de Bogot\u00e1.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

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selected artworks<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Aucun profil d\u00e9tect\u00e9.<\/p><\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Felipe Barreiro lives and works in Bogot\u00e0 b. 1998, Colombia biography Felipe Barreiro Carvajal develops a practice situated at the intersection of drawing and painting, where the image operates as a space of tension between intimate experience and collective structures. His work recurrently explores forms of human conflict, the relationship to nature, social violence, and…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-42878","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nFelipe Barreiro - GALERIE HUGO DUFON<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galeriehugodufon.com\/es\/felipe-barreiro\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Felipe Barreiro - GALERIE HUGO DUFON\" \/>\n<meta property=\"og:description\" content=\"Felipe Barreiro lives and works in Bogot\u00e0 b. 1998, Colombia biography Felipe Barreiro Carvajal develops a practice situated at the intersection of drawing and painting, where the image operates as a space of tension between intimate experience and collective structures. 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